Roland FP-10 vs Korg B2

If you’re hunting for a beginner-to-intermediate digital piano, you’ve probably stumbled across two heavy-hitters: the Roland FP-10 and the Korg B2. Both are priced similarly, target similar users, and boast impressive features for under $600. But when it comes down to it — which one should you buy?

I’ve spent a lot of time with both pianos. In this review, I’ll break everything down: design, keyboard action, sound, speakers, functions, connectivity, value for money — plus some intangibles like “feel” and “playability” that don’t always show up on spec sheets.

Bottom line: I want you to finish this review knowing exactly which one fits your needs better.

Roland FP-10 vs Korg B2 Comparison Chart

If you click the links below, under the product images, you will be redirected to Amazon.com. In case you then decide to buy anything, Amazon.com will pay me a commission. This doesn’t affect the honesty of this review in any way though.

Feature	Roland FP-10	Korg B2
	Check the best price on Amazon	Check the best price on Amazon
Keyboard	88 keys, PHA-4 Standard (fully weighted, graded hammer action, escapement, Ivory Feel)	88 keys, Natural Weighted Hammer Action (graded hammer action, smooth plastic keys)
Sound Engine	SuperNATURAL Piano Modeling	PCM Stereo Sampling
Polyphony	96 notes	120 notes
Number of Sounds	15	12
Speakers	2 x 6W	2 x 15W
Speaker Placement	Downward-firing	Forward-facing
Bluetooth MIDI	Yes	No
USB Connection	USB MIDI (no audio)	USB MIDI + USB Audio
Line Out Jacks	No (headphone out only)	Yes (dedicated L/R 1/4″ outputs)
Headphone Jack	1/4″ stereo	1/8″ (3.5mm) stereo
Layer Mode (Dual Voice)	No (requires app)	Yes (direct control)
Split Mode	No	Yes
Metronome	Yes	Yes
Transpose Function	Yes	Yes
Touch Sensitivity Settings	5 levels	3 levels
Pedal Included	Basic sustain pedal (DP-2)	Basic sustain pedal
Half-Pedaling Support	Yes (with optional DP-10 pedal)	No
Weight	Approx. 12.3 kg (27 lbs)	Approx. 11.4 kg (25 lbs)
Dimensions (W x D x H)	1284 x 258 x 140 mm	1312 x 336 x 117 mm
App Support	Compatible with Roland Piano Partner 2	No dedicated app support
Finish Options	Black	Black or White
My individual reviews	Roland FP-10 review	–

Design & Build Quality

First Impressions Matter

Before you even touch the keys, your relationship with a digital piano starts with how it looks and feels just sitting there.
Does it look professional? Does it feel durable? Does it seem like it’ll survive a move, or will it scratch if you breathe on it wrong?

Both the Roland FP-10 and the Korg B2 aim for the budget-conscious buyer, but they take slightly different approaches to design philosophy and build execution.

Let’s break it down in more detail.

Roland FP-10: Built Like a Tank (Well, a Portable Tank)

At first glance, the Roland FP-10 gives off an understated, practical vibe. No flashy design flourishes, no faux-wood panels, no glossy finishes. Just pure matte black functionalism. And honestly, that’s a good thing.

Chassis Material & Feel:
The FP-10 is housed in a plastic case, but it’s not the cheap, brittle kind. It’s a dense, slightly textured plastic that feels solid when you knock on it. The surface resists fingerprints and smudges better than you’d expect, and it doesn’t have that oily sheen that some cheaper keyboards suffer from after a few weeks of use.

Control Layout:
The control scheme on the FP-10 is brutally minimal. There’s a power button, a volume knob, and a Function button. Everything else — selecting sounds, adjusting touch sensitivity, activating Twin Piano mode — is done by holding the Function button and pressing a key on the keyboard.
It’s not intuitive at first. You’ll want to print out the key combinations from the manual or memorize the most common ones.
No screen means you’re flying blind unless you remember the button combinations.

That said, the FP-10 is clearly designed with minimalism in mind: fewer buttons means less chance to break things, and a cleaner, professional look that fits into modern spaces easily.

Portability & Practicality:
Weighing about 27 pounds (12.3 kg) and with a sleek depth of around 11 inches, the FP-10 is compact enough to move without back pain. It easily fits across a small desk or a compact stand.
If you’re a gigging musician doing coffee shop gigs or casual events, the FP-10 is an attractive option for those reasons alone.
Carrying it under one arm is possible, though you’ll want a good padded bag if you’re moving it often (plastic is durable but not immune to hard knocks).

Durability Over Time:
Over several months of use, the FP-10 holds up well. Key tops stay grippy, buttons stay firm, and the chassis doesn’t flex alarmingly when picked up.
There’s a slight creak if you twist the body hard (which you shouldn’t be doing anyway), but under normal use — playing, transporting carefully — it feels rugged enough for years of service.

Korg B2: Stylish Home Appeal

The Korg B2 takes a slightly different approach: it feels less like a gigging tool and more like an instrument meant to live in your house.
It’s available in both black and a very attractive white finish, giving users some aesthetic choice — something Roland does not offer in the FP-10 without upgrading to higher models.

Chassis Material & Feel:
The B2’s plastic body feels a bit lighter and, if I’m honest, a little less “tight” than the FP-10’s. Tap on it in the middle and you might feel a slight flex. The surface is smoother — almost glossy — especially on the white version, which can show dirt and smudges faster.
However, the B2 does look very clean and modern, especially when paired with a matching stand or home furniture.

Control Layout:
Unlike the FP-10’s stripped-back design, the B2 has clearly labeled physical buttons along the top panel. Dedicated buttons for Piano, Electric Piano, Organ, Layering, Metronome, etc. make it super intuitive for beginners.
You don’t have to memorize key combos; just tap the button you want.
This makes the B2 less intimidating for new players — especially younger students or adults returning to piano after a long time.

There’s still no screen, but thanks to the direct-access buttons, you don’t really need one. Operation feels natural and quick.

Portability & Practicality:
The B2 weighs around 25 pounds (11.5kg), so it’s actually slightly lighter than the FP-10, but the body dimensions are bulkier. It’s slightly wider and deeper, so it can feel more awkward to carry if you’re moving it often.
Also, the B2’s aesthetic and design clearly prioritize stationary home use over rugged transport.

If you’re a frequent mover — student going between dorms and home, for example — you might find the FP-10 easier to live with.

Durability Over Time:
The B2 is perfectly fine for home practice. If you plan to set it up once on a stand and rarely move it, it will last years.
But if you frequently transport it or bump it around, you might notice some flexing in the body panels or risk scratching that clean, smooth surface.

Ergonomics & Usability

Key Placement and Feel:
On both instruments, the distance from the keys to the control panel is appropriate — you won’t accidentally brush buttons while playing, and both layouts feel familiar if you’ve used a stage piano before.

However, the FP-10’s minimal controls mean you might find yourself reaching for your smartphone or an app more often if you want to tweak settings. The B2, by contrast, encourages quick on-the-fly adjustments via its physical buttons.

Stands and Accessories:
Neither the FP-10 nor the B2 comes with a dedicated stand out of the box — you’ll need to buy one separately.
Both work with generic X-stands or furniture-style stands. However, Korg does sell a matching wooden stand for the B2 that complements the white version beautifully, turning it into a very respectable-looking piece of furniture for a living room.

Pedals included are simple sustain pedals — functional but not particularly luxurious. (Roland’s pedal is a bit sturdier, but neither is a true damper pedal with half-pedaling support.)

Aesthetics

• Roland FP-10: Pure function over form. It’s not trying to impress anyone visually. It blends into a room rather than standing out.
• Korg B2: More of a “home décor” vibe, especially in white. The rounded edges and soft finish make it look less “electronic” and more like a piece of music furniture.

Practical Considerations

If you’re tight on space, the FP-10’s narrower depth might matter more than you think.
If you care about how your instrument fits into your living room aesthetic, the B2 (especially in white) might be more attractive.

If you’re worried about long-term durability and hard use — busking, moving, gigging — the FP-10 gives more confidence.

Design & Build Quality Verdict

• For ruggedness, minimalism, and portability: The Roland FP-10 takes it.
• For home aesthetics, easy controls, and simplicity: The Korg B2 might suit you better.

Neither is “badly built.” But they serve slightly different visions: one is a tool; the other is an instrument-piece for the home.

Keyboard Action

Why Action Matters

When you play a digital piano, the number one thing that connects you to the sound is the keys. Not the speakers. Not the samples.
If the action feels wrong — too light, too heavy, too springy, too mushy — you’ll notice instantly. Worse, bad action can wreck your playing technique over time if you’re serious about improving.

That’s why, even though the Roland FP-10 and Korg B2 are close in price, there’s a big gap in how they feel under your fingers.

Let’s break it down in detail.

Roland FP-10: Premium Action on a Budget

The Short Version:
The Roland FP-10 punches way above its price when it comes to key feel.
It uses Roland’s PHA-4 Standard action — the exact same action found in the more expensive FP-30X, and even in some Roland home pianos costing almost double.

Technical Aspects:

• Graded hammer action: Lower notes feel heavier; higher notes feel lighter — just like a real acoustic grand.
• Escapement simulation: As you press the key slowly, you feel a tiny notch partway down — replicating the mechanical “click” when a grand piano hammer disengages from the string.
• Ivory Feel keytops: The white keys have a slight textured surface that mimics the porous feel of real ivory (without the legal or ethical issues, of course).

Tactile Feel:
The first thing you notice playing the FP-10 is the substance under your fingers.
The keys push back firmly but not stiffly. There’s a satisfying amount of resistance, especially compared to many lightweight beginner keyboards.
You can easily control dynamics — from whisper-quiet pianissimo to bold fortissimo — because the keys respond predictably across their travel.

The Ivory Feel texture really helps with grip, too. After an hour of playing, especially under sweaty practice conditions, your fingers don’t slide around. It’s subtle but noticeable once you’re used to it.

Noise:
The PHA-4 action is reasonably quiet. If you listen closely, there’s some mechanical thudding — but it’s never distracting unless you’re playing in dead silence at 2 AM.

Suitability for Different Genres:

• Classical: Excellent. Great for building proper finger strength and control.
• Jazz: Smooth enough for fast runs but heavy enough for meaningful dynamics.
• Pop/Rock: Some may find it slightly heavy compared to synths or light keybeds, but it’s totally manageable.

Long-Term Comfort:
After hours of practice, the FP-10’s action stays comfortable. You don’t get the wrist fatigue that lightweight, springy keyboards can cause because your fingers engage naturally with the weighted resistance.

Korg B2: Lightweight and Accessible

The Short Version:
The Korg B2’s action — Natural Weighted Hammer Action (NH) — is designed to be easy for beginners and casual players.
It’s lighter, springier, and less nuanced than Roland’s action, but it’s not bad, especially considering the piano’s price.

Technical Aspects:

• Graded hammer action: Like the FP-10, the keys are heavier in the bass and lighter in the treble.
• Smooth plastic keytops: No special texture — they’re shiny and completely smooth under the fingers.
• Spring mechanics: The B2 uses a spring-assisted design to help return the keys upward, which can slightly affect the natural “bounce” feeling.

Tactile Feel:
The first impression playing the B2 is that it’s very easy to press.
There’s less initial resistance when you start pushing a key down, and the keys rebound quickly.
For beginners, this can be encouraging — you don’t have to fight the keyboard. Quick runs, scales, and simple pieces feel light and effortless.

However, advanced players (or anyone used to an acoustic piano) might find the B2’s action lacking in depth and control. It’s harder to dig into the keybed and get subtle dynamic shading because the mechanism doesn’t push back much against your touch.

Noise:
The NH action is pretty quiet. Because there’s less mass moving in the keys, there’s slightly less mechanical sound compared to Roland.
Good if you’re practicing late at night and trying not to disturb housemates.

Suitability for Different Genres:

• Classical: Acceptable for early learners, but serious classical students will outgrow the action.
• Jazz: Feels good for fast licks, but lacking control for nuanced voicing.
• Pop/Rock: Feels very natural. If you’re mostly playing chords, pads, and simple melodies, it’s perfect.

Long-Term Comfort:
The lightweight feel can actually backfire over long practice sessions. Because there’s minimal resistance, your fingers might become “lazy,” especially if you’re training for classical technique.
For casual players, though, it’s comfortable and fatigue-free.

Side-by-Side Comparison: How They Stack Up

Aspect	Roland FP-10	Korg B2
Key Resistance	Heavy and realistic	Light and beginner-friendly
Texture	Ivory Feel, grippy	Smooth plastic
Escapement Feel	Present	None
Dynamics Control	Excellent	Fair
Speed/Responsiveness	Very good	Excellent for fast playing
Long-Term Comfort	Very good	Good for casual, limited for serious practice
Noise Level	Low mechanical noise	Slightly quieter

Small Details That Matter

1. Black Key Feel:
On the FP-10, the black keys are also textured slightly, matching the white keys’ grippy feel. On the B2, the black keys are completely smooth and can feel a little slippery, especially if your hands get sweaty.

2. Key Return Speed:
The B2’s keys pop back up faster due to spring assistance. That’s great for fast note repetition (like in pop music), but it sacrifices realism compared to the slower, gravity-based return of the FP-10.

3. Key Weight Variation:
Roland’s action feels naturally heavier in the bass and lighter in the treble — mimicking real grands nicely.
Korg’s NH action has the variation too, but it’s more subtle and less convincing.

Which One Should You Choose for Key Feel?

• If you’re serious about piano technique, want to eventually move onto an acoustic, or plan on serious practice sessions: The Roland FP-10’s action is way better.
• If you’re a beginner, just want an easy-playing, forgiving keyboard for casual music-making, or you mainly play pop: The Korg B2’s lighter action will feel easier and less intimidating.

Final Word on Keyboard Action

You can get used to almost anything with enough practice. But at the end of the day, a better action trains your fingers better, builds better technique, and makes expressive playing more natural.

The Roland FP-10, thanks to its PHA-4 Standard action, gives you a serious, professional-quality key feel at an entry-level price — and that’s a huge selling point.

The Korg B2, with its NH action, delivers an accessible, easy-going experience that’s ideal for beginners or casual players who prioritize comfort over realism.

Sound

Sound Isn’t Just About Samples

When you talk about a digital piano’s “sound,” you’re really talking about several things:

• Sample quality (how the recorded notes sound)
• Sample processing (how the notes transition and blend)
• Dynamic range (how the piano responds to soft and hard playing)
• Resonance and realism (how the sounds interact with each other, pedal effects, etc.)

Both the Roland FP-10 and the Korg B2 are affordable instruments, but they approach sound differently.
And when you sit down and really listen, those differences become obvious.

Roland FP-10: Deep, Organic, Expressive

Sound Engine:
The FP-10 uses Roland’s SuperNATURAL Piano Sound Engine.
This is a huge deal at this price point because SuperNATURAL isn’t just a simple recording playback system — it’s a modeling-sampling hybrid engine.

What does that mean?
It means that instead of just triggering static audio samples, the FP-10 uses algorithms to simulate the natural behavior of a piano: how strings resonate sympathetically, how the cabinet amplifies sound, how notes blend when you pedal.

How It Actually Sounds:
The FP-10’s piano tone is rich, warm, and layered.
When you play softly, the notes shimmer with a delicate gentleness. When you dig in, the sound grows with body and resonance.
There’s a real sense of air and space between the notes — not just a flat, sterile sample.

Even little details like key-off noise (the tiny sound when you lift your finger) and pedal resonance (notes ringing sympathetically when you press the sustain pedal) are modeled realistically.

Grand Piano Preset:
The default Grand Piano patch is gorgeous — rounded lows, clear but not harsh highs, and a solid midrange that holds up under fast passages and big chords.
It doesn’t sound clinical; it sounds musical.

Electric Pianos and Other Sounds:
Roland’s electric pianos are equally good — the Rhodes and Wurlitzer sounds have a soft bark and gentle breakup when you play hard.
Organs, strings, and harpsichord are competent but not standouts — they’re there more for utility than inspiration.

Polyphony:
The FP-10 offers 96-note polyphony.
That’s more than enough for solo practice, even with sustain pedal and heavy layering.
If you start layering thick MIDI arrangements, you might hit the limit — but for most real-world playing, you’re good.

Korg B2: Bright, Direct, Stage-Ready

Sound Engine:
The Korg B2 uses traditional PCM Stereo Sampling — meaning it relies on high-quality recordings of real instruments rather than modeling behaviors dynamically.

How It Actually Sounds:
The B2’s pianos have a bright, clear, lively character.
Right out of the box, the B2’s German Concert Piano patch is crisp, articulate, and sparkling.
The attack of each note is sharp and distinct, which makes it feel very direct and “in your face.”
If you play pop, gospel, or rock, you’ll probably love this sound immediately because it cuts through the mix beautifully.

Dynamic Response:
The B2 has decent dynamic layering, but it’s not as detailed as the FP-10.
On softer passages, the difference between very soft and medium touch isn’t as pronounced — meaning the expression ceiling is lower.

However, the B2 excels when you’re playing more aggressively.
Hard strikes produce bold, bright, ringing tones that fill a room easily.

Grand Piano Presets:
The B2 gives you several different pianos:

• German Grand — bright, detailed, responsive
• Italian Grand — a bit more lyrical and smooth
• Classic Piano — more mellow and traditional

Each piano has its own flavor, and Korg did a good job capturing recognizable piano “personalities” even at this price.

Electric Pianos and Other Sounds:
The electric pianos are lush, chorused, and dreamy — great for 80s ballads or modern worship music.
The organs are punchy but don’t have real rotary speaker emulation.
Strings are serviceable, but layering them over the piano can produce some inspiring pop ballad textures.

Polyphony:
Korg B2 gives you 120-note polyphony.
That’s slightly more than Roland’s 96, and it’s technically better for complex, layered pieces.
In real-world solo playing, though, you won’t usually notice the difference.

Real-World Sound Impressions

Through Built-In Speakers:

• Roland FP-10: Full, but a little constrained due to weaker speakers (2x6W). Needs headphones or an amp to show its true richness.
• Korg B2: Louder, bolder, better room-filling presence due to more powerful speakers (2x15W).

Through Headphones:

• Roland FP-10: Absolutely shines. Details, reverb tails, tonal depth all come through beautifully.
• Korg B2: Good, but slightly flatter and less “3D” compared to Roland.

Recording/Line Out:

• Roland FP-10: Requires headphone jack workaround (no true line out). Sounds fantastic if recorded properly.
• Korg B2: Has real line outs, making it easier to integrate into home studios or small gig setups.

Sound Customization and Adjustments

• Roland FP-10: Limited onboard options without an app. Using Roland’s Piano Partner 2 app via Bluetooth unlocks deeper adjustments (touch curve, ambiance, brilliance).
• Korg B2: More straightforward — quick toggles for touch sensitivity and layering, but no deep sound editing unless you hook up external software.

Nuances: Little Things That Set Them Apart

Pedal Behavior:

• The FP-10 models half-pedaling realistically (if you buy a compatible damper pedal).
• The B2’s pedal system is basic — on or off — no half-pedal realism.

Sympathetic Resonance:

• The FP-10 recreates sympathetic string resonance and cabinet resonance naturally.
• The B2 has minimal resonance simulation — sustain is clean but can feel a bit dry.

Ambient Sounds:

• The FP-10 even simulates mechanical key-off sounds and subtle pedal noises.
• The B2 sticks to clean tones without extra ambient noise modeling.

Which One Sounds Better?

It depends on what you prioritize:

• If you want expressive, natural, emotionally responsive solo playing, the Roland FP-10 wins — no contest.
• If you want a bright, punchy, immediately “present” piano for pop, rock, or worship styles, the Korg B2 holds its own — especially through speakers.

Final Word on Sound

Both pianos sound impressive for their price.
But Roland brings deeper expression and realism, while Korg brings brightness, punch, and raw stage power.

If you play primarily for yourself, practice seriously, or aspire toward acoustic-like expressiveness, the FP-10’s SuperNATURAL engine will inspire you longer.

If you want a good-sounding piano that cuts through in a band, fills your house without needing headphones, and makes pop songs sparkle, the B2 will get the job done with style.

Functions & Features

Beyond the Keys: What Can These Pianos Actually Do?

When you buy a digital piano, you’re not just buying keys and speakers. You’re buying functionality: tools that help you learn, practice, compose, and perform.
At first glance, both the Roland FP-10 and the Korg B2 seem pretty simple, but under the hood, they each offer important (and very different) feature sets.

Some features are critical for beginners (like built-in metronomes), others matter more for performers (like layering sounds), and some are just quality-of-life upgrades that make daily practice smoother.

Let’s dig into what each piano actually offers, and how it affects real-world use.

Roland FP-10: Focused Essentials, No Flash

The FP-10 doesn’t try to overwhelm you with gadgets. Its approach is “give you the essentials, but do them well.”
On the surface, the FP-10 looks almost too simple — but when you pair it with Roland’s app ecosystem, it quietly becomes much more powerful.

Here’s what’s built-in:

1. Twin Piano Mode (Split for Lessons)

Twin Piano mode splits the keyboard into two identical zones, each with the same pitch range.

• Perfect for lessons: teacher and student can sit side-by-side, playing the same notes in their own zones.
• Works great for practice drills too, where you mirror exercises in two registers.

This is a feature that matters a lot if you’re studying with a teacher or teaching someone else at home.

2. Touch Sensitivity Adjustment

The FP-10 offers five different touch sensitivity settings (including a fixed option where dynamics are disabled).
You can fine-tune how hard you have to press to achieve forte or pianissimo, which is especially useful if you have different hand strengths or you’re switching between expressive solo pieces and tight, mechanical practice drills.

3. Metronome

There’s a basic but functional click metronome built-in.
You can adjust:

• Tempo
• Time signature
• Volume of the metronome click

Tempo adjustment happens via button/key combinations — a little clunky without a screen, but manageable once you memorize a few commands.

4. Transpose and Fine-Tuning

You can:

• Transpose the entire keyboard up or down in semitone steps (good for playing with singers or in weird keys without learning the whole new fingering).
• Fine-tune the pitch in tiny increments to match odd tuning systems or other instruments that aren’t perfectly at A=440Hz.

5. Sound Selection

You get 15 onboard sounds, grouped into:

• Acoustic pianos
• Electric pianos
• Strings
• Organs
• Harpsichord

Sound switching happens by holding the Function button and pressing a corresponding key.
No dedicated sound buttons means no quick swapping mid-performance — not ideal if you’re performing live and need instant sound changes.

6. Bluetooth MIDI Integration

Not a physical feature — but huge.
The FP-10 can connect wirelessly to smartphones, tablets, and computers using Bluetooth MIDI.
This unlocks powerful tools:

• Use Roland’s Piano Partner 2 app to change sounds, record yourself, adjust settings via an easy interface.
• Hook into apps like GarageBand, Flowkey, or Simply Piano without cables.

No other major competitor offers Bluetooth MIDI at this price point, and once you experience wireless play-along practice, it’s hard to go back.

7. Pedal Functionality

The FP-10 comes with a basic sustain pedal (DP-2).
However, if you upgrade to a better pedal (like Roland’s DP-10), you can access half-pedaling, where the piano reacts differently based on how far you press the pedal — just like an acoustic grand.

Korg B2: More Immediate Features, Less Depth

The Korg B2 feels much more plug-and-play compared to the FP-10.
It’s designed so that a beginner can sit down, turn it on, and instantly access core musical features without needing to open a manual.

Here’s what you get:

1. Layer (Dual) Mode

One of the B2’s biggest wins over the FP-10 is easy layering.
You can layer two sounds together, like:

• Piano + Strings (instant pop ballad vibe)
• Electric Piano + Organ (for soulful textures)

Layering is triggered by pressing two sound buttons at once — no menu diving or Function + Key combos required.
The volume balance between the two layers is fixed unless you use external software, but for simple lush sounds, it works wonderfully.

2. Split Mode

You can split the B2’s keyboard into two different sounds:

• Bass sound in the left hand
• Piano, electric piano, or organ in the right hand

Great for solo performers who want to cover more sonic territory without needing a band.

This feature is missing natively on the FP-10 (without using apps), so if split-playing is important to you, the B2 pulls ahead.

3. Metronome

The B2 includes a basic click metronome, just like the FP-10.
You can adjust tempo easily using dedicated buttons.

One downside: no adjustable time signature beyond standard 4/4 unless paired with external apps or MIDI control.

4. Transpose and Fine-Tuning

Like the FP-10, the B2 allows:

• Full transpose control in semitone steps
• Fine tuning for adjusting to slightly out-of-tune instruments or recordings

Adjustments are quick and beginner-friendly thanks to labeled panel buttons.

5. Touch Sensitivity Adjustment

The B2 has three touch curves:

• Light
• Normal
• Heavy

Simpler than Roland’s five options, but enough for most casual players to find a comfortable setting.

6. Sound Selection

The B2 offers 12 onboard sounds, categorized into:

• German grand piano
• Italian grand piano
• Classic piano
• Jazz piano
• Stage electric piano
• 60s electric piano
• Harpsichord
• Pipe organ
• Electric organ
• Strings

Each sound has its own button — no key+function combos needed.
Switching sounds mid-song is simple and immediate, making it better for live performers compared to the FP-10.

7. Pedal Functionality

The B2’s included pedal is basic (on/off sustain).
There’s no half-pedaling support at this level. Even if you upgrade pedals, the B2’s engine doesn’t model half-pedal behavior like Roland’s does.

Real-World Usage: Functions & Features Compared

Feature	Roland FP-10	Korg B2
Twin Piano Mode	Yes	No
Layer Sounds	No (without app)	Yes (easy)
Split Mode	No	Yes
Sound Switching Ease	Medium (button combos)	Easy (direct buttons)
Metronome Control	Good (hidden settings)	Good (direct buttons)
Touch Curves	5 options	3 options
Pedal Options	Half-pedal capable	Basic sustain only
Bluetooth App Control	Yes	No

Final Thoughts on Functions & Features

• If you value wireless app integration, piano-focused practice tools, and subtle control, the Roland FP-10 wins.
• If you want fast, direct control for layering, splits, and quick sound switching, the Korg B2 makes life easier — especially for casual or live players.

Both pianos deliver more functionality than you’d expect at this price — but they serve slightly different user profiles.
Pick based on what you prioritize: depth and realism, or simplicity and versatility.

Connectivity

Why Connectivity Matters

In today’s music world, a digital piano isn’t just a standalone instrument. It’s often part of a bigger setup:

• Hooked into learning apps
• Connected to DAWs (Digital Audio Workstations) for recording
• Paired with external speakers for better sound
• Used with iPads, smartphones, mixers, or amplifiers

So when comparing the Roland FP-10 and Korg B2, understanding how they connect — easily or awkwardly — becomes a huge part of the buying decision.

Both pianos offer basic connectivity, but they take very different paths in how flexible they are for modern setups.

Let’s break it down.

Roland FP-10: Modern Wireless Flexibility, Some Physical Limitations

At a glance:

• Bluetooth MIDI: Yes
• USB to Host (MIDI only): Yes
• Line Outs: No
• Headphone Jack: Yes (1/4″ stereo)
• Audio over USB: No

1. Bluetooth MIDI: Major Advantage

The FP-10’s biggest secret weapon is Bluetooth MIDI.

This means you can wirelessly:

• Connect to piano apps like Flowkey, Simply Piano, or Yousician without cables
• Control music software like GarageBand, Logic Pro, Ableton Live over Bluetooth
• Use Roland’s own free app (Piano Partner 2) for easy sound selection, metronome, recording practice sessions, and adjusting touch settings.

In practice:
Bluetooth MIDI is stable on FP-10, with minimal latency when used for learning, basic recording, or even jamming with virtual instruments.

Caveats:

• Bluetooth MIDI does not carry audio — it’s just control signals (notes, pedal presses, etc.).
• Some Windows PCs might need extra drivers or adapters for Bluetooth MIDI; macOS and iOS devices handle it smoothly.

Bottom Line:
Bluetooth MIDI is a huge convenience feature if you’re serious about app-based learning or wireless recording setups.

2. USB to Host (MIDI Only)

You can plug the FP-10 directly into your computer or tablet with a standard USB-B cable (the kind that looks like a printer cable).

However, Roland’s USB port only transmits MIDI data, not audio.
Meaning:

• You can record MIDI into your DAW (like Logic, FL Studio, Ableton)
• But you cannot send the FP-10’s actual sound digitally — you’d need to record the audio through the headphone output

It’s not a dealbreaker — many users prefer MIDI recording anyway — but it’s an extra step if you love the FP-10’s built-in piano sounds and want to capture them.

3. Headphone Output (Doubling as Line Out)

The FP-10 has a standard 1/4″ stereo headphone jack.
If you want to connect to an external amplifier or speaker, you’ll need a stereo 1/4″ to dual 1/4″ or RCA splitter cable to preserve stereo imaging properly.

It’s a little clunky compared to having dedicated Line Out ports, but totally doable — and common at this price range.

Important Tip:
If you use the headphone jack as a line out, you lose onboard sound — the internal speakers mute automatically.

4. Pedal Jack

A standard 1/4″ pedal input is available.
Roland’s input supports basic sustain pedals and (if you upgrade) continuous control pedals for half-pedaling — a big plus for classical players.

Korg B2: Simplicity and Analog Friendliness

At a glance:

• USB to Host (MIDI + Audio): Yes
• Line Outs (Left/Right): Yes
• Headphone Jack: Yes (1/8″ stereo)
• Bluetooth MIDI: No

1. USB to Host (MIDI + Audio)

Unlike the FP-10, the B2’s USB port can transmit both MIDI data and stereo audio.
This means:

• You can record your actual piano sound directly into a DAW (no extra audio interface needed)
• You can use the B2 as a MIDI controller for virtual instruments as well

In practice:
Recording the B2 is dead simple: one USB cable, and you’re done.
If you prefer a plug-and-play setup without dealing with audio cables, the B2 wins here.

Caveats:

• Audio quality is decent (16-bit/44.1kHz) — good enough for home recording, though not audiophile-level.

2. Line Out (L/R) Jacks

This is huge for anyone planning to perform or use external speakers.

The B2 has two dedicated 1/4″ Line Out ports — left and right mono/stereo channels.
This lets you:

• Connect directly to powered speakers
• Run cleanly into a mixer for live sound
• Hook up easily to studio monitors

You still keep your headphone functionality separately — no weird splitter cables needed like on the FP-10.

Bottom Line:
Line Outs = real gigging flexibility.
Even a small café performance or church setup becomes easier and cleaner with proper outputs.

3. Headphone Output

The B2 has a 1/8″ (3.5mm) headphone jack — the smaller size compared to Roland’s 1/4″ jack.
You’ll probably need a 1/4″ adapter if you have studio headphones.
Not a huge deal, but worth noting.

Again, like most digital pianos, plugging in headphones automatically mutes the internal speakers.

4. No Bluetooth MIDI

The B2 does not offer any Bluetooth connection.
You’ll need to use a physical USB cable for any MIDI interactions with apps or computers.

If you’re planning on wireless learning apps or wireless MIDI controllers, this could be a dealbreaker.

5. Pedal Jack

One standard pedal input (1/4″).
Supports simple sustain functionality but no half-pedaling or continuous control.
Even upgrading to a fancier pedal won’t change the basic on/off behavior.

Real-World Connectivity Comparison

Feature	Roland FP-10	Korg B2
USB MIDI	Yes	Yes
USB Audio	No	Yes
Bluetooth MIDI	Yes	No
Line Outs	No (headphone jack workaround)	Yes (true L/R outputs)
Headphone Jack	1/4″	1/8″
Pedal Support	Half-pedaling possible	Basic sustain only

Which One Connects Better for Different Users?

If you prioritize wireless convenience and app-based learning:
➡️ Roland FP-10 wins with Bluetooth MIDI.

If you prioritize recording real piano sound into your computer easily:
➡️ Korg B2 wins with USB Audio transmission.

If you’re performing live and need clean output to speakers or a mixer:
➡️ Korg B2 wins thanks to real Line Outs.

If you’re setting up a professional recording rig and want ultimate control:
➡️ Roland FP-10’s MIDI + external audio setup is more flexible long-term, but it’s more effort.

Final Verdict on Connectivity

Both pianos offer serious tools for modern players — but they serve different priorities:

• Roland FP-10 is a better choice if you’re focused on practice, learning, and app integration without cables cluttering your setup.
• Korg B2 is better for live performers, casual recorders, or anyone who values simple, fast wired setups without external gear.

Neither model gives you everything, but each covers its ground smartly — depending on whether you lean wireless or wired in your music life.

Value for Money

What Does “Value” Really Mean?

When it comes to digital pianos under $600, you aren’t expecting every feature under the sun.
But you are expecting your money to be well-spent: solid build quality, great sound, reliable functionality, and ideally, something that won’t need replacing in six months.

Both the Roland FP-10 and the Korg B2 are competitively priced, but they offer different strengths — and that means their value proposition depends heavily on who you are and what you want out of your instrument.

Let’s get real about it.

Roland FP-10: Incredible Feel, Long-Term Investment

Current Street Price:
Usually around $500–$550 USD (without stand).

Where Your Money Goes:

• Keyboard Action: You get the PHA-4 Standard — the best hammer action in this class, hands down.
• Sound Engine: SuperNATURAL technology, offering expressiveness and nuanced dynamics rare at this price.
• Build Quality: Rugged, durable chassis that can handle moves, lessons, light gigging.
• Practice and Learning Features: Twin Piano mode, adjustable touch, Bluetooth MIDI for seamless app learning.

Where It Cuts Corners:

• Weak built-in speakers (only 6W per side)
• No layering or split modes without using apps
• No true line outs (only headphone workaround for external amplification)

Real-World Value:

• If you’re serious about learning piano technique, the FP-10 is an outstanding long-term investment.
• It prepares your hands for transitioning to real acoustic pianos without forming bad habits.
• Its Bluetooth MIDI gives you a modern, flexible learning environment — no cable mess needed.

Longevity:
You could easily keep using the FP-10 for 5+ years before outgrowing it, especially with a good external speaker or headphones later on.

Resale Value:
Roland pianos hold resale value well. The FP-10 is always in demand in the used market because of its action.

Korg B2: Big Sound, Instant Gratification

Current Street Price:
Typically around $550–$600 USD (often bundled with a stand or pedal unit in some regions).

Where Your Money Goes:

• Speakers: Powerful 30W speaker system that fills rooms nicely without extra gear.
• Connectivity: Real Line Outs and USB Audio out — making it simple to record or perform live.
• Playability: Lightweight key action that’s friendly for casual players.
• Features: Easy layering, splitting, and sound switching with direct buttons — beginner and performer-friendly.

Where It Cuts Corners:

• Keyboard action is basic (good for beginners, but won’t satisfy intermediate/advanced players over time)
• No Bluetooth MIDI — cable connections only
• No half-pedal support (even if you upgrade the pedal)

Real-World Value:

• If you’re a casual player, hobbyist, or light gigging musician, the B2 delivers a complete, satisfying package right out of the box.
• You don’t have to invest in speakers, mixers, interfaces — it’s all ready to go with a simple setup.

Longevity:
Casual players could happily use the B2 for several years.
Serious students may outgrow its lighter action in a year or two if they pursue intensive classical training.

Resale Value:
Korgs don’t always retain resale value quite as strongly as Rolands, but B2s move quickly on local classifieds if priced fairly.

Which One Gives You More for Your Money?

It depends entirely on your goals:

Situation	Better Value
Learning classical or serious technique	Roland FP-10
Gigging / Home performances	Korg B2
Plug-and-play easy setup	Korg B2
Wireless app practice and upgrades	Roland FP-10
Long-term skill development	Roland FP-10
Immediate volume/power without extra gear	Korg B2

Hidden Costs to Consider

With the FP-10, you might eventually want:

• External speakers or good headphones
• An upgraded damper pedal (like Roland DP-10)

With the B2, you might eventually want:

• A better pedal unit (if you want a more piano-like feeling)
• A good gig bag (it’s a bit more delicate when moving around)

Both pianos are affordable out of the gate, but it’s worth budgeting a little extra to fully unlock their potential based on your goals.

Final Word on Value for Money

Both the Roland FP-10 and Korg B2 are exceptional for their price points, but they serve different kinds of players.

• The Roland FP-10 is pound-for-pound the better deal if you’re focused on serious piano study, long-term growth, and building proper technique. It delivers professional-grade action and rich sound modeling in a compact, budget package.
• The Korg B2 is the better immediate value if you want strong speakers, performance-ready outputs, and a ready-to-play experience without needing external gear or app setups.

Neither will leave you feeling ripped off.
But choosing the right one means matching the piano’s strengths to your actual musical journey.

Conclusion

Choosing between the Roland FP-10 and the Korg B2 isn’t about picking a “better” piano — it’s about picking the one that fits your goals.

If your top priority is realistic piano feel, long-term skill development, and expressive, nuanced playing, the Roland FP-10 is the smarter choice. Its PHA-4 Standard action and SuperNATURAL sound engine make it feel like a true musical instrument, not just a practice keyboard. Bluetooth MIDI opens doors for modern learning apps and flexible practice without tangled cables. You sacrifice a bit in speaker power and immediate features, but in return, you get a solid foundation for real growth.

If you want a piano that sounds big out of the box, works easily for home performances, and offers quick sound switching, layering, and recording without much setup, the Korg B2 delivers outstanding value. It’s more beginner- and gig-friendly right away. Strong onboard speakers, real line outputs, and simple controls make it perfect for casual players or those needing a “plug and play” setup. Just know that its lighter action and lack of Bluetooth might feel limiting as your technique advances.

Ultimately, both models give you far more than their price tags suggest. Neither is a mistake — they simply target different types of musicians.
Think about where you are now, and where you want to be a year from now.
If you’re aiming higher — developing touch, tone, and expression — lean toward the Roland FP-10.
If you’re playing for fun, for community gigs, or to jam without fuss, the Korg B2 will keep you smiling from day one.

Either way: you’re choosing a great starting point.